Get Free Ebook Long Day's Journey into Night
Get Free Ebook Long Day's Journey into Night
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Long Day's Journey into Night
Get Free Ebook Long Day's Journey into Night
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Review
"The restoration of several previously missing lines of dialogue and stage direction likely make this the definitive edition of a 'play of old sorrow, written in tears and blood,' as O’Neill described it in dedicating it to his wife, Carlotta."—Boston Globe"Drawing upon recent textual scholarship, the sixty-first printing of the Yale edition incorporates missing lines of dialogue accidentally dropped by O’Neill’s wife Carlotta as she retyped."—American Literature"Attractive frontispiece. Recommended for all college and university libraries."―Choice"No play Eugene O'Neill ever wrote speaks more eloquently to the reader. . . . Certainly no one, henceforth, will write of this other plays without remembering this, his most revealing of himself."—Lewis Gannett, New York Herald Tribune"I think he wrote it as an act of forgiveness. Not as a pontifical forgiveness, mind you, not as absolution for the harm that had been done to him. That he was damaged by his family is only a fact now, a piece of truth to be but down out of respect of the whole truth; there is no residual rancor. He seems to be asking forgiveness for his own failure to know his father, mother, and brother well enough at a time when the need for understanding was like an upstairs cry in the night; and to be reassuring their ghosts, wherever they may be, that he knows everything awful that they have done, and loves them."―Walter F. Kerr, New York Herald TribuneWinner of the 1957 New York Drama Critics Circle Award given by the New York Drama Critics' CircleWinner of the 1957 Pulitzer Prize in Drama"Long Day’s Journey Into Night has long since become a classic not only of the American stage, but of universal theater. And apart from its secure place in literature, the play is an invaluable key to its author’s creative evolution. It serves as the Rosetta Stone of O’Neill’s life and art."—Barbara Gelb"Only an artist of O’Neill’s extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day’s Journey Into Night is the most remarkable achievement of one of the world’s greatest dramatists."―Jose Quintero "Long Day's Journey is O'Neill's last, most realized play, a grand act of mercy upon his family and his own life."—Arthur Miller"The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."—Harold Bloom, from the Foreword
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From the Back Cover
"By common consent, Long Day's Journey into Night is Eugene O'Neill's masterpiece. . . . The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."—Harold Bloom, from the foreword "Only an artist of O'Neill's extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day's Journey into Night is the most remarkable achievement of one of the world's greatest dramatists."—Jose Quintero "The play is an invaluable key to its author's creative evolution. It serves as the Rosetta Stone of O'Neill's life and art."—Barbara Gelb "The definitive edition of a 'play of old sorrow, written in tears and blood,' as O'Neill described it in dedicating it to his wife, Carlotta."—Boston Globe
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Product details
Paperback: 192 pages
Publisher: Yale University Press; 2nd edition (March 1, 2002)
Language: English
ISBN-10: 0300093055
ISBN-13: 978-0300093056
Product Dimensions:
5 x 0.6 x 7.7 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
141 customer reviews
Amazon Best Sellers Rank:
#27,359 in Books (See Top 100 in Books)
I have seen the play and enjoyed it. I will see it again soon but this time I wanted to be more 'ahead of the game' so I read it before seeing it. What a difference. I so look forward to seeing it now. It is tragic but there is so much more to the book than just the dialogue. O'Neill has unbelievable stage directions and this does so much in helping to understand all 4 of these pathetic characters. There are so many emotions on display and simple things like smoothing her hair (nervous reaction) or shedding a tear (love or sympathy) helped me to understand. It is amazing this all takes place in less than 24 hours. I could visualize everything on stage from the set to the individual characters. Some of the dialogue is dated, but the story is still contemporary and powerful. O'Neill is a genius and he deserves the praise and awards he received.
I love this play more than I could ever express. Now that it is in kindle form means I can carry it with me everywhereI go!"You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one...For a second you see -- and seeing the secret, are the secret. For a second there is meaning!...It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!"
O'Neill produced this outstanding drama in 1940 with the instruction that it should not be published until after his death. So its first publication was in 1956. I endorse the view that this play, together with Arthur Miller's 'Death of a Salesman' and Tennessee William's "A Street Car Named Desire' are the high point of American Drama. "Long Day's Journey Into Night' has a fascinating explosive quality. Its plot is largely autobiographical. Once you start reading a play of this quality, it is difficult to close until you have read through till its end.
When I was searching (and I DO mean struggling to find!!) for this version of this play, I finally found ONE source and ONE review of the film. I agreed completely with the extremely positive view that one buyer wrote. If you are "Into" reality shows (which are SO fake and anything but reality--don't tell me you wouldn't know you were on camera!!), there is not one hint of "acting" in this. The entire cast is flawless. I have seen around four other versions which pale by comparison. Forget Hepburn and Sir Ralph Richardson, forget Jack Lemon's performance. A version with a third actor portraying the mother was weak. THIS is penultimate. Dark, depressing with a fog horn punctuating the progression from morning to night in the Tyrone family (autobiographical). But POWERFUL!!!!
O'Neill's play "Long Day's Journey Into Night" is often considered his best work. The book is highly autobiographical and depicts a highly dysfunctional family where the men are all alcoholics and the mother is a morphine addict. The dialogue is truly intense and the stage direction is extremely relevant to the proper mood and attitude of the dialogue.The most interesting thing about the play is the stigma that is attached to the use of drugs, particularly in comparison to the use of alcohol. Alcohol use and alcoholism is `socially acceptable' whereas the use of narcotics is relegated to prostitutes and others of low social standing. The intensity of the dialogue rests in its ability to illustrate the torment of the family as it tries to deal with the drug addiction of the mother and the horror of the hold it has on her, while all the time, the alcoholism is just taken as routine. The father often comments about how he never "missed a performance" because of his alcohol use and therefore, it was not a problem. But in fact, it is a tremendous problem which they cannot shake, even though they are aware that it is consuming them.Perhaps most interesting of all is that the play was published posthumously. O'Neill seems to have been able to write it and face the terror of the dysfunctionality in 1940, but he would not allow publication of the play until he was no longer alive. While it was within his grasp to write about the situation, it was not within him to allow the world to see it within his time.The foreword by Harold Bloom is not surprisingly pedantic and overly academic. Bloom often takes the position that he knows what is appropriate, right and underlying about a written piece, but never assumes that any other person really properly understands what it is all about. He seems to see it as his job to inform others what they do not know; despite other people's potentially valid and illuminating interpretations. The reader may wish to completely skip the forward and go right to the words of O'Neill and make their own interpretation. Truly a marvel of a play, there is no person who would not gain from the reading of this brilliant work of the master playwright of his time.
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